Physiologie et art du chant
Physiologie et art du chantPhysiology and art of singing
Singing requires gesture harmony and unfailing respect the laws of the physiology of movement, ventilatory mechanics and acoustics. The vocal power comes from the simultaneous tensioning of opposing forces couples. To express the singing voice uses selective contraction of antagonistic muscle groups of the mouth and pharynx, breathing and static.
French Book
This book offers every singer simple tools to become aware of his body, refine his proprioception, identify the movements and anatomicophysiological elements involved during the song, release the automation shackles, eventually use them in synergy, harmoniously, for that purpose alone: sing!
The author, by simple and pictorial explanations, demonstrative illustrations, supplemented with fun exercises, accompanying the singer in the appropriation of his body-instrument, optimizing his singing technique and the release of his vocal power.
"Giving his speech organs the power to tame a symphony orchestra, but also the smoothness and softness of a cello or violin, keeping each intelligible syllable, and two octaves at least falls under physical feat. To get there, we have to work together a lot of antagonistic muscles coordinate opposing forces. Harmony of opposites. [...] Every singer in his amateur or professional choir alongside its rehearsals and experiences shared among virtuosos find in this book the precise biological reasons of good singing voice. "François-Xavier Neve
Marie Hutois, physical therapist, psychomotor therapist, specializing in the singing voice, practice itself passionately lyrical singing.
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25€
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